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For the uninitiated in modern classical, like I was - and still kinda am, to be honest - this album can be a bit daunting. But hey, if you want to ride that learning curve, hop on; it's a blast.
Favorite track: Serpentine.
A unique talent, Úlfur (Luxembourg-born, Iceland-raised, NYC-residing Úlfur Hansson) is known as much for his genre-defying experiments with homemade instruments and electronics as he is for his work with prominent Icelandic trailblazers Jónsi (of Sigur Rós) and Ólöf Arnalds, and Sweden’s Anna Von Hauswolff. As a composer - a graduate of Mills College, California - Úlfur in 2013 received the prestigious Young Composer of the Year award from the International Rostrum of Composers, and has had works commissioned by The Icelandic Symphonic Orchestra, the Kronos Quartet and l’Orchestre de Radio France.
Arborescence, his brave and immersive newest LP, navigates a trail between these many worlds. Its pieces are longform and dreamily (un-)structured, made up of soundscapes, electro-acoustic processing, vocals, synthesizers, electronic production, all framed by intricate, cinematic string arrangements (performed by label-mate and múm co-founder Gyda Valtysdottir) and cataclysmic explosions of noise (provided in part by the transcendent and superlative drumming of black metal hero Greg Fox). The record alternately traverses moments of stillness and vulnerability and moments of violence, covering all the ground between as it travels.
“The title is derived from that type of movement,” Úlfur writes. “Arborescence - the phenomenon of branching out, following the path of least resistance, growing from a seed, or a bolt of lightning as it rips through the sky, connecting different outcomes, possibilities to a single point of origin.”
Arborescence was produced by Randall Dunn (SUNN O))), Earth, Marissa Nadler, etc.), and also features the wonderful musicianship of Skúli Sverrisson (Blonde Redhead, David Sylvian, Ryuichi Sakamoto, Laurie Anderson, Ólöf Arnalds) and Zeena Parkins (Björk, Jim O’Rourke, Pauline Oliveros, Fred Frith, John Zorn).
credits
released November 3, 2017
::Arborescence::
Engineered, mixed and produced by Randall Dunn
Recorded in three different locations by Randall Dunn, Úlfur Hansson and Ólafur Björn Ólafsson
Strings performed by Gyða Valtýsdóttir
Drums performed by Greg Fox
Written and arranged by Úlfur Hansson
::Tómið Titrar::
Engineered, mixed and produced by Randall Dunn
Recorded in two different locations by Randall Dunn, Úlfur Hansson and Alex Somers
Guitar and Bass performed by Shahzad Ismaily
Strings performed by Gyða Valtýsdóttir
Written and arranged by Úlfur Hansson
::Rhinoceros::
Engineered, mixed and produced by Randall Dunn
Written and arranged by Úlfur Hansson
::Fovea::
Engineered, mixed and produced by Randall Dunn
Recorded in two different locations by Randall Dunn and Alex Somers
Guitars and bass performed by Skúli Sverrisson
Percussion by Greg Fox
Written and arranged by Úlfur Hansson
::Serpentine::
Engineered, mixed and produced by Randall Dunn
Recorded by Randall Dunn
Strings performed by Gyða Valtýsdóttir
Harp solo performed by Zeena Parkins
Written and arranged by Úlfur Hansson
::Weightlessness::
Engineered, mixed and produced by Randall Dunn
Recorded in Hallgrímskirkja by Albert Finnbogason
Written and performed by Úlfur Hansson
::Vakandi::
Engineered, mixed and produced by Randall Dunn
Recorded in two different locations by Randall Dunn, Úlfur Hansson and Alex Somers
Úlfur is known as much for his genre-defying experiments with homemade instruments and electronics as he is for his work
with Jónsi and Anna Von Hauswolff. As a composer - a graduate of Mills College, California - Úlfur in 2013 received the prestigious Young Composer of the Year award from the International Rostrum of Composers, and has had works commissioned by f.ex. the Kronos Quartet....more
Odin’s Raven Magic est un album surprenant – pas tant que ça quand on connaît un peu Sigur Rós. Son côté liturgique est parfois minimaliste, mais l’ensemble recrée une ambiance de fin des temps qui enfonce tous les black-metaleux du monde. (Chroniqué sur https://alias.erdorin.org) Stéphane Gallay
An utterly captivating invitation into a soul that is tempered by nature at it's most elemental and is gilded in a sublime elliptic light. At times fragile and feather-light but all the while playing host to a gathering of restless spirits that bodes delight and mischief in equal measure, swooping kite-like in a unique wind storm of Icelandic sound and voice. Thomas Haugh
Canadian producer and multi-instrumentalist galvanizes bowed guitars, cellos, and synths into an off-kilter exploration of heat and desire. Bandcamp New & Notable Feb 25, 2024
It's hard to name a single track as favourite. This album as a whole is an outstanding composition and one of the best I've heard this year, so far. freshmare